Mucedorus: Bibliography Mucd: Biblio Compiler Sofia Spiteri Supervising Editor Janelle Jenstad Copyright Holder (Content) Sofia Spiteri Copyright Holder (XML and interface) University of Victoria Code Review LEMDO Team LEMDO Website

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 Social Sciences and Humanities Research Council of Canada Valerie Kuehne Undergraduate Research Awards, University of Victoria

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Document Types All documents in LEMDO are either born-digital documents or primary documents. Within those two general categories, LEMDO offers additional ways to categorize a file. Born-digital Born-digital documents are anything other than primary texts Bibliography Bibliographies and reference lists. Responsibilities Responsibilities Supervising Editor An editor who supervises the work of a student editor. Peer Reviewer LEMDO uses the term peer reviewer for a person who reviews a transcription, critical materials, dataset, and/or some or all components of an edition. Copyright Holder A person or organization to whom copy and legal rights have been granted or transferred for the intellectual content of a work. The copyright holder, although not necessarily the creator of the work, usually has the exclusive right to benefit financially from the sale and use of the work to which the associated copyright protection applies. Normally the editor is the copyright holder for an LEMDO edition. Compiler A person, family, or organization responsible for creating a new work (e.g., a bibliography, a directory) through the act of compilation, e.g., selecting, arranging, aggregating, and editing data, information, etc. LEMDO uses the term compiler for the person who chooses and aggregates the resources included in an edition, if those resources are not all by the editor of the edition. The compiler and the editor may be the same person; in that case, the person needs two responsibility statements. Licensed for Classroom anthology. Checked metadata. Added edition statement. Changed status to draft. Began compiling entries. Created file. Janelle Jenstad Janelle Jenstad

Janelle Jenstad is a Professor of English at the University of Victoria, Director of The Map of Early Modern London, and Director of Linked Early Modern Drama Online. With Jennifer Roberts-Smith and Mark Beatrice Kaethler, she co-edited Shakespeare’s Language in Digital Media: Old Words, New Tools (Routledge). She has edited John Stow’s A Survey of London (1598 text) for MoEML and is currently editing The Merchant of Venice (with Stephen Wittek) and Heywood’s 2 If You Know Not Me You Know Nobody for DRE. Her articles have appeared in Digital Humanities Quarterly, Elizabethan Theatre, Early Modern Literary Studies, Shakespeare Bulletin, Renaissance and Reformation, and The Journal of Medieval and Early Modern Studies. She contributed chapters to Approaches to Teaching Othello (MLA); Teaching Early Modern Literature from the Archives (MLA); Institutional Culture in Early Modern England (Brill); Shakespeare, Language, and the Stage (Arden); Performing Maternity in Early Modern England (Ashgate); New Directions in the Geohumanities (Routledge); Early Modern Studies and the Digital Turn (Iter); Placing Names: Enriching and Integrating Gazetteers (Indiana); Making Things and Drawing Boundaries (Minnesota); Rethinking Shakespeare Source Study: Audiences, Authors, and Digital Technologies (Routledge); and Civic Performance: Pageantry and Entertainments in Early Modern London (Routledge). For more details, see janellejenstad.com.

 Sofia Spiteri Sofia Spiteri

Sofia Spiteri is currently completing her Bachelor of Arts in History at the University of Victoria. During the summer of 2023, she had the opportunity to work with LEMDO as a recipient of the Valerie Kuehne Undergraduate Research Award (VKURA). Her work with LEMDO primarily includes semi-diplomatic transcriptions for The Winter’s Tale and Mucedorus.

 Baskervill, Charles Read, Virgil B. Heltzel, and Arthur H. Nethercot. Mucedorus. Elizabethan and Stuart Plays. Henry Holt, 1934; rpt. 1957. 525–552. Bate, Jonathan and Eric Rasmussen. Mucedorus. William Shakespeare and Others: Collaborative Plays. Palgrave Macmillan, 2013. 503–550. WSB aaac460. Boyer, Norman Paul, ed. A Critical Edition of <title level="m">Mucedorus: A Dissertation presented to the Faculty of the Graduate School of Arts and Sciences. Denver: University of Denver. PhD dissertation, 1969. Dessen, Alan C. Conceptual Casting in the Age of Shakespeare: Evidence from <title level="m">Mucedorus. Shakespeare Quarterly, 43.1. Oxford, (1992, 67–70. WSB bc1095. Finkelstein, Richard. Censorship and Forgiven Violence in <title level="m">Mucedorus. Parergon 17.1 (1999): 89–108. DOI 10.1353/pgn.1999.0039. Fraser, Russell A. and Norman Rabkin. Mucedorus. Drama of the English Renaissance I: The Tudor Period. Vol. 1. New York: Macmillan, 1976. 463–480. Gilchrist, Kim. <title level="m">Mucedorus: The Last Ludic Playbook, the First Stage Arcadia. Shakespeare 15.1 (2019): 1–20. DOI: 10.1080/17450918.2017.1393455. WSB bbbi1058. Goss, David A., ed. A Most Pleasant Comedy Of Mucedorus, A thesis submitted to the Faculty of the Graduate School of the State University of New York at Buffalo. New York: University at Buffalo, 2009. Grant, Teresa. White Bears In <title level="m">Mucedorus, The Winter’s Tale, and Oberon, The Fairy Prince. Notes and Queries (2001): 311-b–313. WSB bbf449. DOI 10.1093/nq/48-3-311b. Hazlitt, W. Carew. Mucedorus. A Select Collection of Old English Plays. Originally Published by Robert Dodsley in the Year 1744. 4th ed. Vol. 7. London: Reeves and Turner, 1874. Hopkinson, A.F., ed. Mucedorus. Shakespeare’s Doubtful Plays. London, M.E. Sims, 1893. Hyland, Peter. Scare Bear: Playing with <title level="m">Mucedorus. Shaping Shakespeare for Performance: The Bear Stage. Ed. Catherine Loomis and Sid Ray. Madison, NJ: Fairleigh Dickinson University Press, 2016. 203–211. WSB bbbf47. Jackson, MacDonald P. Edward Archer’s Ascription of <title level="m">Mucedorus to Shakespeare. Journal of the Australasian Universities Language and Literature Association, 22 (1964): 233–248. WSB bbp1106. DOI 10.1179/aulla.1964.22.1.008. Jupin, Arvin H. A Contextual Study and Modern-Spelling Edition of <title level="m">Mucedorus. New York: Garland, 1987. The Renaissance Imagination 29. Kirschbaum, Leo. The Texts of <title level="m">Mucedorus. The Modern Language Review 50.1 (1955): 1–5. DOI 10.2307/3718751. Kirwan, Peter. <title level="m">Mucedorus. The Elizabethan Top Ten: Defining Print Popularity in Early Modern England. Ed. Andy Kesson and Emma Smith. Farnham, UK: Asghate Publishing Limited, 2013. 223–234. WSB aaac163. Kozlenko, William, ed. Mucedorus, in Disputed plays of William Shakespeare. New York: Hawthorn Books, 1974, 166–192. WSB az248. Kreuzer, Paul G. <title level="m">Mucedorus: A Comedy of Transformation. Thoth 16.3 (1976): 33–42. Kreuzer, Paul G. <title level="m">Mucedorus. Elizabethan Dramatists. Ed. Fredson Bowers. Dictionary of Literary Biography. Vol 62. Farmington Hills, MI: Gale Research Inc, 1987. 373–384. Lamb, Jonathan P. William Shakespeare’s <title level="m">Mucedorus and the Market of Forms. Renaissance Drama 46.1 (2018): 57–86. DOI 10.1086/697174. WSB bbbj558. Nethercot, Arthur H., Baskervill, Charles, R. and Heltzel, Virgil, B., ed. Mucedorus, in Elizabethan and Jacobean Plays: Revised Edition. vol.1. New York: Holt, Rinehart, and Winston, 1971, 577–604. Proudfoot, Richard. <quote>Modernizing</quote> the Printed Play-Text in Jacobean London: Some Early Reprints of <title level="m">Mucedorus. <quote>A Certain Text</quote>: Close Readings and Textual Studies on Shakespeare and Others in Honor of Thomas Clayton. Ed. Linda Anderson and Janis Lull. Newark: University of Delaware Press; London: Associated University Press, 2003. 18–28. WSB aah268. Reynolds, George F. <title level="m">Mucedorus, Most Popular Elizabethan Play? Studies in the English Renaissance Drama. Ed. Josephine W. Bennett, Oscar Cargill, and Vernon Hall, Jr. New York: New York University Press, 1959. 248–268. Rooney, Tom. Who <quote>Plaid</quote> the Bear in <title level="m">Mucedorus? Notes and Queries 54:3 (2007): 259–262. DOI 10.1093/notesj/gjm145. Scherer, Abigail. <title level="m">Mucedorus’s Wild Man: Disorderly Acts on the Early Modern Stage. Renaissance Papers 1999. Ed. T.H. Howard-Hill and Philip Rollinson. Renaissance Papers. Rochester, NY: Camden House, 1999. 55–65. Segall, Kreg. <title level="m">Mucedorus and Counsel from Q1 to Q3. Connotations: A Journal for Critical Debate 24.1 (2014): 63–87. Thom, Alexander. <quote>Figures of Exclusion</quote> in <title level="m">Mucedorus (c. 1591). Law and Literature 33.1 (2021): 49–72. doi 10.1080/1535685X.2020.1726655. Thomson, Leslie. <title level="m">Mucedorus: From Revision to Nostalgia. Theatre Notebook 71.3 (2017): 140–160. Thornberry, Richard T. A Seventeenth-Century Revival of Mucedorus In London Before 1610. Shakespeare Quarterly 28.3 (1977): 362–364. doi 10.2307/2869088. Tucker Brooke, C.F. Mucedorus. The Shakespeare Apocrypha. Oxford: Clarendon Press, 1908; rpt. 1929. 103–126. Tyrrell, Henry. Mucedorus. The Doubtful Plays of William Shakespeare. London and New York: John Tallis, 1853 . 350–372. Viswanathan, S. Mucedorus and Shakespeare—and his Company. Points of View, 2, no. 1. Ghaziabad (1995, 1–11. WSB bi1576. Warnke, Karl and Proescholdt, Ludwig, eds. Mucedorus. Pseudo-Shakespearian Plays. Halle (Saale): Max Niemeyer, 1878. Winny, James, ed. Mucedorus, in Three Elizabethan Plays. London, Chatto and Windus, 1959, 14–16, 105–153. LEMDO Team The LEMDO Team is based at the University of Victoria and normally comprises the project director, the lead developer, project manager, junior developers(s), remediators, encoders, and remediating editors. University of Victoria https://www.uvic.ca/
Early Witnesses with Sigla Quarto Title Year Q1 A Most pleasant Comedie of Mucedorus the kings sonne of Valentia and Amadine the Kings daughter of Arragon, with the merie conceites of Mouse. 1598 Q2 A Most pleasant Comedie of Mucedorus the Kings sonne of Valentia, and Amadine the Kinges daughter of Arragon, with the merrie conceites of Mouse. 1606 Q3 A Most pleasant Comedie of Mucedorus the Kings sonne of Valentia, and Amadine the Kinges daughter of Aragon. 1610 Q4 A Most pleasant Comedie of Mucedorus the Kings sonne of Valencia, and Amadine the Kinges daughter of Aragon. 1611 Q5 A Most pleasant Comedie of Mucedorus the Kings Sonne of Valencia, and Amadine the Kings daughter of Aragon. 1613 Q6 A Most pleasant Comedie of Mucedorus the Kings Sonne of Valencia, and Amadine the Kings Daughter of Aragon. 1615 Qη 1615-1618 Q7 A Most Pleasant Comedie of Mucedorus the Kings Sonne of Valentia, and Amadine the Kings Daughter of Aragon. 1618 Q8 A Most Pleasant Comedy of Mucedorus the Kings Sonne of Valentia, and Amadine the Kings Daughter of Aragon. 1619 Q9 A Most Pleasant Comedy of Mucedorus the Kings Sonne of Valentia, and Amadine the Kings Daughter of Aragon. 1621 Q10 A Most pleasant Comedy of Mucedorus the Kings Sonne of Valentia, and Amadine the Kings Daughter of Aragon. 1626 Q11 A most pleasant Comedy of Mucedorus the Kings Sonne of Valentia, and Amadine the Kings Daughter of Aragon. 1629 Q12 A Most pleasant Comedy of Mucedorus the Kings Sonne of Valentia, and Amadine the Kings Daughter of Aragon. 1631 Q13 A Most pleasant Comedy of Mucedorus The Kings Sonne of Valentia, and Amadine the Kings Daughter of Aragon. 1634 Q14 A Most pleasant Comedy of Mucedorus the Kings Sonne of Valentia, and Amadine the Kings Daughter of Aragon. 1639 Q15 A Most pleasant Comedy of Mucedorus the Kings Son of Valentia, and Amadine the Kings Daughter of Aragon. 1656 Q16 A Most pleasant COMEDY OF MUCEDORUS The KINGS Son of Valentia, and Amadine the KINGS Daughter of Aragon. 1663 Q17 A Most pleasant COMEDY OF MUCEDORUS The KING’S Son of Valentia, and Amadine the KING’S Daughter of Aragon. 1668
Editions Collated Tyrrell, Henry. Mucedorus. The Doubtful Plays of William Shakespeare. London and New York: John Tallis, 1853. 350–372. Hazlitt, W. Carew. Mucedorus. A Select Collection of Old English Plays. Originally Published by Robert Dodsley in the Year 1744. 4th ed. Vol. 7. London: Reeves and Turner, 1874. Warnke, Karl and Proescholdt, Ludwig, eds. Mucedorus. Pseudo-Shakespearian Plays. Halle (Saale): Max Niemeyer, 1878. Hopkinson, A.F., ed. Mucedorus. Shakespeare’s Doubtful Plays. London, M.E. Sims, 1893. Tucker Brooke, C.F. Mucedorus. The Shakespeare Apocrypha. Oxford: Clarendon Press, 1908; rpt. 1929. 103–126. Baskervill, Charles Read, Virgil B. Heltzel, and Arthur H. Nethercot. Mucedorus. Elizabethan and Stuart Plays. Henry Holt, 1934; rpt. 1957. 525–552. Winny, James, ed. Mucedorus, in Three Elizabethan Plays. London, Chatto and Windus, 1959, 14–16, 105–153. Nethercot, Arthur H., Baskervill, Charles, R. and Heltzel, Virgil, B., ed. Mucedorus, in Elizabethan and Jacobean Plays: Revised Edition. vol.1. New York: Holt, Rinehart, and Winston, 1971, 577–604. Boyer, Norman Paul, ed. A Critical Edition of <title level="m">Mucedorus: A Dissertation presented to the Faculty of the Graduate School of Arts and Sciences. Denver: University of Denver. PhD dissertation, 1969. Kozlenko, William, ed. Mucedorus, in Disputed plays of William Shakespeare. New York: Hawthorn Books, 1974, 166–192. WSB az248. Fraser, Russell A. and Norman Rabkin. Mucedorus. Drama of the English Renaissance I: The Tudor Period. Vol. 1. New York: Macmillan, 1976. 463–480. Jupin, Arvin H. A Contextual Study and Modern-Spelling Edition of <title level="m">Mucedorus. New York: Garland, 1987. The Renaissance Imagination 29. Goss, David A., ed. A Most Pleasant Comedy Of Mucedorus, A thesis submitted to the Faculty of the Graduate School of the State University of New York at Buffalo. New York: University at Buffalo, 2009. Bate, Jonathan and Eric Rasmussen. Mucedorus. William Shakespeare and Others: Collaborative Plays. Palgrave Macmillan, 2013. 503–550. WSB aaac460.
Criticism Dessen, Alan C. Conceptual Casting in the Age of Shakespeare: Evidence from <title level="m">Mucedorus. Shakespeare Quarterly, 43.1. Oxford, (1992, 67–70. WSB bc1095. Finkelstein, Richard. Censorship and Forgiven Violence in <title level="m">Mucedorus. Parergon 17.1 (1999): 89–108. DOI 10.1353/pgn.1999.0039. Gilchrist, Kim. <title level="m">Mucedorus: The Last Ludic Playbook, the First Stage Arcadia. Shakespeare 15.1 (2019): 1–20. DOI: 10.1080/17450918.2017.1393455. WSB bbbi1058. Grant, Teresa. White Bears In <title level="m">Mucedorus, The Winter’s Tale, and Oberon, The Fairy Prince. Notes and Queries (2001): 311-b–313. WSB bbf449. DOI 10.1093/nq/48-3-311b. Hyland, Peter. Scare Bear: Playing with <title level="m">Mucedorus. Shaping Shakespeare for Performance: The Bear Stage. Ed. Catherine Loomis and Sid Ray. Madison, NJ: Fairleigh Dickinson University Press, 2016. 203–211. WSB bbbf47. Jackson, MacDonald P. Edward Archer’s Ascription of <title level="m">Mucedorus to Shakespeare. Journal of the Australasian Universities Language and Literature Association, 22 (1964): 233–248. WSB bbp1106. DOI 10.1179/aulla.1964.22.1.008. Kirschbaum, Leo. The Texts of <title level="m">Mucedorus. The Modern Language Review 50.1 (1955): 1–5. DOI 10.2307/3718751. Kirwan, Peter. <title level="m">Mucedorus. The Elizabethan Top Ten: Defining Print Popularity in Early Modern England. Ed. Andy Kesson and Emma Smith. Farnham, UK: Asghate Publishing Limited, 2013. 223–234. WSB aaac163. Kreuzer, Paul G. <title level="m">Mucedorus: A Comedy of Transformation. Thoth 16.3 (1976): 33–42. Kreuzer, Paul G. <title level="m">Mucedorus. Elizabethan Dramatists. Ed. Fredson Bowers. Dictionary of Literary Biography. Vol 62. Farmington Hills, MI: Gale Research Inc, 1987. 373–384. Lamb, Jonathan P. William Shakespeare’s <title level="m">Mucedorus and the Market of Forms. Renaissance Drama 46.1 (2018): 57–86. DOI 10.1086/697174. WSB bbbj558. Proudfoot, Richard. <quote>Modernizing</quote> the Printed Play-Text in Jacobean London: Some Early Reprints of <title level="m">Mucedorus. <quote>A Certain Text</quote>: Close Readings and Textual Studies on Shakespeare and Others in Honor of Thomas Clayton. Ed. Linda Anderson and Janis Lull. Newark: University of Delaware Press; London: Associated University Press, 2003. 18–28. WSB aah268. Reynolds, George F. <title level="m">Mucedorus, Most Popular Elizabethan Play? Studies in the English Renaissance Drama. Ed. Josephine W. Bennett, Oscar Cargill, and Vernon Hall, Jr. New York: New York University Press, 1959. 248–268. Rooney, Tom. Who <quote>Plaid</quote> the Bear in <title level="m">Mucedorus? Notes and Queries 54:3 (2007): 259–262. DOI 10.1093/notesj/gjm145. Scherer, Abigail. <title level="m">Mucedorus’s Wild Man: Disorderly Acts on the Early Modern Stage. Renaissance Papers 1999. Ed. T.H. Howard-Hill and Philip Rollinson. Renaissance Papers. Rochester, NY: Camden House, 1999. 55–65. Segall, Kreg. <title level="m">Mucedorus and Counsel from Q1 to Q3. Connotations: A Journal for Critical Debate 24.1 (2014): 63–87. Thom, Alexander. <quote>Figures of Exclusion</quote> in <title level="m">Mucedorus (c. 1591). Law and Literature 33.1 (2021): 49–72. doi 10.1080/1535685X.2020.1726655. Thomson, Leslie. <title level="m">Mucedorus: From Revision to Nostalgia. Theatre Notebook 71.3 (2017): 140–160. Thornberry, Richard T. A Seventeenth-Century Revival of Mucedorus In London Before 1610. Shakespeare Quarterly 28.3 (1977): 362–364. doi 10.2307/2869088. Viswanathan, S. Mucedorus and Shakespeare—and his Company. Points of View, 2, no. 1. Ghaziabad (1995, 1–11. WSB bi1576.