The Golden Age: Collation GldA: Collation Collator Janelle Jenstad Research Assistant Cameron Stirling Social Sciences and Humanities Research Council of Canada Jamie Cassels Undergraduate Research Award

Released with LEMDO Classroom 0.2.1

 This unpublished text is made available by Linked Early Modern Drama Online in the LEMDO Classroom.

All rights reserved. Intellectual copyright in this edition is held by the editor(s). Editions in the LEMDO Classroom are not yet in their final form and are not ready for publication in any other LEMDO anthology. Reuse and quotation are strictly forbidden except as follows: (1) students are welcome to cite from these editions for their coursework, and (2) directors are welcome to adapt the modern text for performance. Scholars may quote from the edition with the knowledge and consent of LEMDO, but they are advised to wait for the edition to be published in its destination anthology before citing from it; scholars who do want to cite or allude to a Classroom edition should be aware that the Classroom edition will be retired when the full, final edition is published in its host anthology, and are advised to contact the LEMDO Director for advice on citing.

Digital Renaissance Editions

Collation prepared by Janelle Jenstad

 Heywood, Thomas. The Golden Age. Or the Liues of Jupiter and Saturne, with the deifying of the Heathen Gods. London: Printed for William Barrenger, 1611. DEEP 567. STC 13325. Wiggins 1637. Collier, J. Payne, ed. The Golden and Silver Ages: Two Plays. London: Printed for the Shakespeare Society, 1851. Shepherd, Richard Herne, ed. The Dramatic Works of Thomas Heywood Now First Collected with Illustrative Notes and a Memoir of the Author in Six Volumes. London: John Pearson, 1874. Bevis, N.F., ed. A Critical Edition of Callisto, or The Escapes of Jupiter. MA Dissertation. University College London, 1960. Janzen, Henry David. The Escapes of Jupiter: A Critical Edition. PhD Dissertation. Wayne State University, 1969. Gaines, Barry, and Grace Ioppolo, eds. The Collected Works of Thomas Heywood. Volume 3. Middle Plays. Oxford University Press, 2023. This edition, edited by Janelle Jenstad and Cameron Stirling.

Encoded in TEI P5 according to the LEMDO Customization and Encoding Guidelines

Edited according to the DRE Editorial Guidelines

 Completed first collation pass in time for performance. Completed the listWit. Created collation file and added first collation. 1.1 Actus I. Scaena I. 1.2 of Crete 1 Lord 2. Lord. makes make styled stil’d Aside Exeunt Exeunt omnes. 1.3 1.4 crares craers crayers rigour.—Is rigor. Is succeed. / Maugre the envious gods, the brat succeed. Maugre the envious gods the brat succeed, / Maugre the envious Gods, the brat succeed, / Maugre the envious gods. The brat Make me, O heavens, make me oh Heavens, Make me, oh, heavens! Make me, oh, heavens, inhumane inhuman 1.5 2.1 Actus secundi, Scoena prima. 2.2 2.3 2.4 2.5 (Aside) (aside, [Aside. Collier moves the stage direction to the end of . (That’s … proceed. That’s more then I can promise (well proceed) That’s more than I can promise.—Well, proceed. (Aside) That’s more than I can promise. (To them) Well, proceed. 2.6 3.1 Act. 3. Scoene 1. 3.2 3.3 3.4 3.5 wrapped rapt 3.6 Arcas my son, / My young son … firstborn. Arcas … firstborn Set on one compositorial line perjurous perjurious 3.7 3.8 3.9 Jupiter kills Enceladus. Jupiter kills Enceladus, and enters with victory, Jupiter kills Enceladus, and enters with victory. Jupiter kills Enceladus and exits with victory, carrying Enceladus’ body. Exit Jupiter with the body of Enceladus. Jupiter kills Enceladus and exits with victory, carrying Enceladus’ body. 3.10 Jupiter enters in victory, with Saturn, and enters with victory, Iupiter, Saturne, and enters with victory. Jupiter, Saturn, Enter Jupiter again, Saturn, 4.1 Actus. 4. Scoena. 1. Homer 4.2 father, double tyrannous father double tyrannous, father, double tyrannous, (Aside) transhapes trans-shapes (To all) growing going beldams Beldams Unsensible Insensible 4.3 alarm ’larm ’larum portcullised percullist palate? All palate, all palate all favours, / Unvirginlike, favours / Un-virginlike, favours / Unvirginlike luck’s luck all in all-in Now, gold, Now gold Here’s first for you, for you, for you, for you. Here’s first for you, for you, for, for you, for you. Exit 2, 3, and 4 Beldam. three their —Sweet, your ear. (sweete your eare. 4.4 (With … buy (With any saue Danae.) Let me buy —With any save Danae?— Let me buy (Aside) With any save Danae. (To Danae) Let me buy 4.6 4.7 4.6 Enter the Clown 5.2 Arcas guard guard, The comma splits the main verb (guard from its object confines. Trojans Troians 5.3