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            <title type="main">The Golden Age: Role List</title>
            <title type="short">GldA: Role List</title>
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               <persName ref="#STIR3">Cameron Stirling</persName>
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               <persName ref="#JENS1">Janelle Jenstad</persName>
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                  <abbr>DRE</abbr>
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                  <p>Anthology Leads and Co-Coordinating Editors: Brett Greatley-Hirsch, Janelle Jenstad, James Mardock, and Sarah Neville.</p>
               </note>
            </sponsor>
            <funder>
               <ref target="https://www.sshrc-crsh.gc.ca/home-accueil-eng.aspx">Social Sciences and Humanities Research Council of Canada</ref>
            </funder>
            <funder>
               <ref target="https://onlineacademiccommunity.uvic.ca/uviclearn/researching/jcura/">Jamie Cassels Undergraduate Research Award (UVic)</ref>
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            <p>Released with LEMDO Classroom 0.2.1</p>
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            <publisher>This unpublished text is made available by Linked Early Modern Drama Online in the LEMDO Classroom.</publisher>
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               <p>All rights reserved. Intellectual copyright in this edition is held by the editor(s). Editions in the LEMDO Classroom are not yet in their final form and are not ready for publication in any other LEMDO anthology. Reuse and quotation are strictly forbidden except as follows: (1) students are welcome to cite from these editions for their coursework, and (2) directors are welcome to adapt the modern text for performance. Scholars may quote from the edition with the knowledge and consent of LEMDO, but they are advised to wait for the edition to be published in its destination anthology before citing from it; scholars who do want to cite or allude to a Classroom edition should be aware that the Classroom edition will be retired when the full, final edition is published in its host anthology, and are advised to contact the LEMDO Director for advice on citing.</p>
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         <person xml:id="GREA1" copyOf="PERS1.xml#GREA1">
            <persName>
               <reg>Brett Greatley-Hirsch</reg>
               <forename>Brett</forename>
               <surname>Greatley-Hirsch</surname>
            </persName>
            <note>
               <p>Brett Greatley-Hirsch is Professor of Renaissance Literature and Textual Studies at the University of Leeds. He is a coordinating editor of <ref target="https://digitalrenaissance.uvic.ca/">Digital Renaissance Editions</ref>, co-editor of the Routledge journal <ref target="https://www.tandfonline.com/toc/rshk20/current">Shakespeare</ref>, and a Trustee of the British Shakespeare Association. He is the author (with Hugh Craig) of <title level="m">Style, Computers, and Early Modern Drama: Beyond Authorship</title> (Cambridge, 2017), which brings together his interests in early modern drama, computational stylistics, and literary history. His current projects include editions of <title level="m">Hyde Park</title> for the Oxford Shirley (with Mark Houlahan) and <title level="m">Fair Em</title> for DRE, a history of the editing and publishing of Renaissance drama from the eighteenth century to the present day, and several computational studies of early modern dramatic authorship and genre. For more details, see <ref target="https://notwithoutmustard.net/">notwithoutmustard.net</ref>.</p>
            </note>
         </person>
         <person xml:id="HOUL3" copyOf="PERS1.xml#HOUL3">
            <persName>
               <reg>Navarra Houldin</reg>
               <forename>Navarra</forename>
               <surname>Houldin</surname>
            </persName>
            <note>
               <p>Training and Documentation Lead 2025–present. LEMDO project manager 2022–2025. Textual remediator 2021–present. Navarra Houldin (they/them) completed their BA with a major in history and minor in Spanish at the University of Victoria in 2022. Their primary research was on gender and sexuality in early modern Europe and Latin America. They are continuing their education through an MA program in Gender and Social Justice Studies at the University of Alberta where they will specialize in Digital Humanities.</p>
            </note>
         </person>
         <person xml:id="JENS1" copyOf="PERS1.xml#JENS1">
            <persName>
               <reg>Janelle Jenstad</reg>
               <forename>Janelle</forename>
               <surname>Jenstad</surname>
            </persName>
            <note>
               <p>Janelle Jenstad is a Professor of English at the University of Victoria, Director of <ref target="https://mapoflondon.uvic.ca">The Map of Early Modern London</ref>, and Director of <ref target="https://lemdo.uvic.ca">Linked Early Modern Drama Online</ref>. With Jennifer Roberts-Smith and Mark Beatrice Kaethler, she co-edited <title level="m">Shakespeare’s Language in Digital Media: Old Words, New Tools</title> (Routledge). She has edited John Stow’s <title level="m">A Survey of London</title> (1598 text) for MoEML and is currently editing <title level="m">The Merchant of Venice</title> (with Stephen Wittek) and Heywood’s <title level="m">2 If You Know Not Me You Know Nobody</title> for DRE. Her articles have appeared in <title level="j">Digital Humanities Quarterly</title>, <title level="j">Elizabethan Theatre</title>, <title level="j">Early Modern Literary Studies</title>, <title level="j">Shakespeare Bulletin</title>, <title level="j">Renaissance and Reformation</title>, and <title level="j">The Journal of Medieval and Early Modern Studies</title>. She contributed chapters to <title level="m">Approaches to Teaching Othello</title> (MLA); <title level="m">Teaching Early Modern Literature from the Archives</title> (MLA); <title level="m">Institutional Culture in Early Modern England</title> (Brill); <title level="m">Shakespeare, Language, and the Stage</title> (Arden); <title level="m">Performing Maternity in Early Modern England</title> (Ashgate); <title level="m">New Directions in the Geohumanities</title> (Routledge); <title level="m">Early Modern Studies and the Digital Turn</title> (Iter); <title level="m">Placing Names: Enriching and Integrating Gazetteers</title> (Indiana); <title level="m">Making Things and Drawing Boundaries</title> (Minnesota); <title level="m">Rethinking Shakespeare Source Study: Audiences, Authors, and Digital Technologies</title> (Routledge); and <title level="m">Civic Performance: Pageantry and Entertainments in Early Modern London</title> (Routledge). For more details, see <ref target="https://janellejenstad.com/">janellejenstad.com</ref>.</p>
            </note>
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            <persName>
               <reg>James D. Mardock</reg>
               <forename>James</forename>
               <surname>Mardock</surname>
            </persName>
            <note>
               <p>James Mardock is Associate Professor of English at the University of Nevada, Associate General Editor for the Internet Shakespeare Editions, and a dramaturge for the Lake Tahoe Shakespeare Festival and Reno Little Theater. In addition to editing quarto and folio <title level="m">Henry V</title> for the ISE, he has published essays on Shakespeare, Ben Jonson, and other Renaissance literature in <title level="j">The Seventeenth Century</title>, <title level="j">Ben Jonson Journal</title>, <title level="j">Borrowers and Lenders</title>, and contributed to the collections <title level="j">Representing the Plague in Early Modern England</title> (Routledge 2010) and <title level="m">Shakespeare Beyond Doubt</title> (Cambridge 2013). His book <title level="m">Our Scene is London</title> (Routledge 2008) examines Jonson’s representation of urban space as an element in his strategy of self-definition. With Kathryn McPherson, he edited <title level="m">Stages of Engagement</title> (Duquesne 2013), a collection of essays on drama in post-Reformation England, and he is currently at work on a monograph on Calvinism and metatheatrical awareness in early modern English drama.</p>
            </note>
         </person>
         <person xml:id="NEVI1" copyOf="PERS1.xml#NEVI1">
            <persName>
               <reg>Sarah Neville</reg>
               <forename>Sarah</forename>
               <surname>Neville</surname>
            </persName>
            <note>
               <p>Sarah Neville is an associate professor of English and Theatre, Film and Media Arts at the Ohio State University. She specializes in early modern English literature, bibliography, theories of textuality and Shakespeare in performance, chiefly examining the ways that authority is negotiated in print, digital and live media. She is an assistant editor of the <ref target="https://www.oxfordscholarlyeditions.com/nos"><title level="m">New Oxford Shakespeare</title></ref> (2016-17), for which she edited five plays in both old and modern-spelling editions, as well as an associate coordinating editor of the Digital Renaissance Editions. She regularly publishes on textual theory, digital humanities, pedagogy, and scholarly editing. Neville’s book, <ref target="https://www.cambridge.org/core/books/early-modern-herbals-and-the-book-trade/F965A0A1C46EF975CE21A09A0A57EE63"><title level="m">Early Modern Herbals and the Book Trade: English Stationers and the Commodification of Botany</title></ref> (Cambridge, 2022), demonstrates the ways that printers and booksellers of herbals enabled the construction of scientific and medical authority in early modern England. A theatre director and film artist who is a great believer in experiential learning, Neville is the founder and creative director of Ohio State’s <ref target="https://www.lorddenneysplayers.com/">Lord Denney’s Players</ref>, an academic theatre company that enables students to see how technologies of textual transmission have shaped the reception of Shakespeare’s plays.</p>
            </note>
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            <persName>
               <reg>Cameron Stirling</reg>
               <forename>Cameron</forename>
               <surname>Stirling</surname>
            </persName>
            <note>
               <p>Cameron Stirling is an English Honours student at the University of Victoria and the holder of a 2024–2025 Jamie Cassels Undergraduate Research Award.</p>
            </note>
         </person>
         <person xml:id="HEYW1" copyOf="PROS1.xml#HEYW1">
            <persName>
               <reg>Thomas Heywood</reg>
               <forename>Thomas</forename>
               <surname>Heywood</surname>
            </persName>
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      <listBibl>
         <bibl xml:id="BRUM1" copyOf="BIBL1.xml#BRUM1">
            <author>Brumble, H. David</author>. <title level="m">Classical Myths and Legends in the Middle Ages and Renaissance: A Dictionary of Allegorical Meanings</title>. <pubPlace>Westport</pubPlace>: <publisher>Greenwood Press</publisher>, <date>1998</date>.</bibl>
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            <note>
               <p>Anthology Leads and Co-Coordinating Editors: Brett Greatley-Hirsch, Janelle Jenstad, James Mardock, and Sarah Neville.</p>
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         <div xml:id="emdGldA_M_roleList_characters">
            <head>Characters in the Play</head>
            
            <div type="particDesc"><listPerson type="castlist" xml:id="emdGldA_M_roleList_castList" corresp="emdGldA_M.xml#emdGldA_M_castList">
                    <person xml:id="emdGldA_M_roleList_Homer" corresp="emdGldA_M.xml#emdGldA_M_Homer">
                        <persName>
                            <name>Homer</name>
                            <reg>Homer</reg>
                        </persName>
                        <note type="notANote" resp="#STIR3">
                            <p>The narrator of <title level="m">The Golden Age</title>, Homer
                                introduces each act and closes out the play. He also summarizes the
                                non-dramatized events that occur between each act, serving as the
                                playgoer’s guide to the world of classical myth.</p>
                            <p>In the classical context, <soCalled>Homer</soCalled> was credited
                                with writing the epic poems of the <title level="m">Iliad</title>
                                and the <title level="m">Odyssey</title>, as well as the Homeric
                                Hymns through which we know important myths about the gods, such as
                                the story of Persephone, or the story of how Apollo took over the
                                oracle at Delphi.</p>
                        </note>
                    </person>

                    <person xml:id="emdGldA_M_roleList_1Lord" corresp="emdGldA_M.xml#emdGldA_M_1Lord">
                        
                        
                        <persName>
                            <name>1 Lord</name>
                            <reg>1 Lord</reg>
                        </persName>
                    </person>

                    <person xml:id="emdGldA_M_roleList_2Lord" corresp="emdGldA_M.xml#emdGldA_M_2Lord">
                        <persName>
                            <name>2 Lord</name>
                            <reg>2 Lord</reg>
                        </persName>
                    </person>

                    <person xml:id="emdGldA_M_roleList_3Lord" corresp="emdGldA_M.xml#emdGldA_M_3Lord">
                        <persName>
                            <name>3 Lord, sent to the Oracle</name>
                            <reg>3 Lord</reg>
                        </persName>
                    </person>

                    <person xml:id="emdGldA_M_roleList_Saturn" corresp="emdGldA_M.xml#emdGldA_M_Saturn">
                        <persName>
                            <name>Saturn</name>
                            <reg>Saturn</reg>
                        </persName>
                        <note type="notANote" resp="#STIR3">
                            <p>Saturn is the younger son of Uranus and Vesta, the younger brother of
                                Titan, and the father of Jupiter. Because he is more popular with
                                the people, he usurps the throne of Crete from his elder brother,
                                with Vesta’s support. Saturn plays three distinct roles in <title level="m">The Golden Age</title>: he begins as our tragic hero,
                                before quickly becoming a tyrant, and then finally becoming a fully
                                fledged villain in the final act.</p>
                            <p>In classical myth, Saturn (Greek equivalent: Kronos/Cronus) was the
                                father of Jupiter and the king of the Titans. Having overthrown his
                                own father Uranus, Saturn was in turn overthrown by his son Jupiter.
                                Although Saturn was originally a god of the harvest, the similarity
                                between the Greek name <term>Cronus</term> and the Greek word for
                                    <term>time</term> (<term xml:lang="grc">chronos</term>) resulted
                                in Saturn becoming associated with time; thus <soCalled>Father
                                    Time</soCalled> is still frequently depicted with Saturn’s
                                scythe.</p>
                            <p>Many Renaissance writers and artists depicted Saturn as a destructive
                                force of time, possibly due to his association with the scythe; as a
                                result, both Saturn the figure and Saturn the planet were associated
                                with melancholy and various evils (<ref type="bibl" target="#BRUM1">Brumble 300–301</ref>).</p>
                        </note>
                    </person>

                    <person xml:id="emdGldA_M_roleList_Vesta" corresp="emdGldA_M.xml#emdGldA_M_Vesta">
                        <persName>
                            <name>Vesta</name>
                            <reg>Vesta</reg>
                        </persName>
                        <note type="notANote" resp="#STIR3">
                            <p>Vesta is the dowager queen of Crete, the widowed wife of Uranus, the
                                mother of Saturn and Titan, and the grandmother of Jupiter. She
                                supports Saturn’s bid for the throne, and she comes up with the
                                scheme to trick Saturn by presenting him with a bowl of blood and
                                sending Jupiter away to be raised in the court of Melliseus. After
                                this point, Vesta does not reappear in <title level="m">The Golden
                                    Age</title>.</p>
                            <p>In classical myth, Vesta (Greek equivalent: Hestia) was the goddess
                                of the hearth, the sister of Jupiter, and the daughter of Saturn.
                                Vesta was one of the three virgin goddesses of classical myth, the
                                other two being Diana and Minerva.</p>
                            <p>In the Renaissance, Vesta was the subject of two traditions. Some
                                mythographers described her as the goddess of heavenly fire.
                                However, others described her as the goddess of earthly fire, or
                                sometimes as just the earth. According to mythographer Alexander
                                Ross, when people referred to Vesta as the earth, she was called the
                                mother of Saturn, but when she was referred to as the earth’s fire,
                                she was his daughter (<ref type="bibl" target="#BRUM1">Brumble
                                    347</ref>).</p>
                        </note>
                    </person>

                    <person xml:id="emdGldA_M_roleList_Sibylla" corresp="emdGldA_M.xml#emdGldA_M_Sibylla">
                        <persName>
                            <name>Sibylla</name>
                            <reg>Sibylla</reg>
                        </persName>
                        <note type="notANote" resp="#STIR3">
                            <p>Sibylla is the wife of Saturn and the mother of Jupiter. She aids in
                                Vesta’s scheme to save Jupiter’s life, and is later the one who
                                confesses to Saturn that Jupiter is alive.</p>
                            <p>In the classical context, the term <term>sibyl</term> referred to
                                various oracles and prophetesses throughout antiquity in both Greece
                                and Italy, such as the sibyl at Cumae.</p>
                            <p>Many Renaissance sources seem to have thought of the sibyls as pagan
                                versions of Old Testament prophets, and several writers and artists
                                suggest that the sibyls gave prophecies of the birth of Christ (<ref type="bibl" target="#BRUM1">Brumble 310</ref>).</p>
                        </note>
                    </person>

                    <person xml:id="emdGldA_M_roleList_Titan" corresp="emdGldA_M.xml#emdGldA_M_Titan">
                        <persName>
                            <name>Titan</name>
                            <reg>Titan</reg>
                        </persName>
                        <note type="notANote" resp="#STIR3">
                            <p>Titan is the elder son of Uranus and Vesta, and the elder brother of
                                Saturn. When Saturn takes the throne from him, Titan is upset and
                                declares he will give up his title only if Saturn agrees to kill any
                                sons he might have. Later, when Titan learns that Jupiter lives, he
                                assumes that Saturn has preserved the child on purpose and invades
                                Crete.</p>
                            <p>In classical myth, <term>titan</term> was a title bestowed upon
                                Saturn and his siblings by their father Uranus after they deposed
                                him; the word roughly means <gloss>stretchers</gloss>, in reference
                                to how they stretched beyond their means to seek power. The term
                                eventually came to be applied to various gods who existed prior to
                                Jupiter’s rule.</p>
                        </note>
                    </person>

                    <person xml:id="emdGldA_M_roleList_Lycaon" corresp="emdGldA_M.xml#emdGldA_M_Lycaon">
                        <persName>
                            <name>Lycaon</name>
                            <reg>Lycaon</reg>
                        </persName>
                        <note type="notANote" resp="#STIR3">
                            <p>Lycaon, Titan’s son, is the king of Pelagia and the father of
                                Callisto. He is the one who suggests to Titan that Saturn not be
                                allowed to have heirs. Later, when Jupiter arrives to end a war
                                between Pelagia and Epyre, Lycaon kills the lord of Epyre he was
                                given as a hostage, attempting to serve his remains to Jupiter and
                                his lords in a stew; for this crime, Jupiter overthrows Lycaon.
                                Later, Lycaon joins his brothers to aid his father in invading
                                Crete.</p>
                            <p>In classical myth, Lycaon was a mortal king of Pelagia who, wishing
                                to test whether Jupiter was truly omniscient, killed one of his own
                                sons, put his remains in a stew, and served it to Jupiter to see if
                                he would notice. Immediately recognizing what Lycaon had done,
                                Jupiter turned Lycaon into a wolf as punishment.</p>
                        </note>
                    </person>

                    <person xml:id="emdGldA_M_roleList_Clown" corresp="emdGldA_M.xml#emdGldA_M_Clown">
                        <persName>
                            <name>Clown</name>
                            <reg>Clown</reg>
                        </persName>
                        <note type="notANote" resp="#STIR3">
                            <p>The Clown’s main role in <title level="m">The Golden Age</title> is
                                to provide aid to the royal family of Crete; he first delivers the
                                infant Jupiter to Melliseus’ court in secret, then later confirms
                                the adult Jupiter’s true parentage, and finally aids Jupiter’s quest
                                to seduce Danae by distracting the beldams. On his first appearance,
                                he summons the Nurse to Sibylla’s lying-in chamber and volunteers an
                                ecomiastic list of Saturn’s god-like innovations and
                                achievements.</p>
                            <p>There is no classical equivalent for the Clown. He is firmly in the
                                native English dramatic tradition.</p>
                        </note>
                    </person>

                    <person xml:id="emdGldA_M_roleList_Nurse" corresp="emdGldA_M.xml#emdGldA_M_Nurse">
                        <persName>
                            <name>Nurse</name>
                            <reg>Nurse</reg>
                        </persName>
                        <note type="notANote" resp="#STIR3">
                            <p>The nurse delivers Jupiter as a baby. She was with Sibylla and Vesta
                                when they attempted to kill Jupiter, and later aided the two in
                                faking Jupiter’s murder. The nurse is introduced at the same time as
                                the clown.</p>
                            <p>While there are nurses in classical myth, the nurse in <title level="m">The Golden Age</title> does not have any specific
                                classical equivalent. The character has more in common with
                                comparable figures in English drama.</p>
                        </note>
                    </person>

                    <person xml:id="emdGldA_M_roleList_Jupiter" corresp="emdGldA_M.xml#emdGldA_M_Jupiter">
                        <persName>
                            <name>Jupiter (Jove)</name>
                            <reg>Jupiter</reg>
                        </persName>
                        <note type="notANote">
                            <p>Also called Jove in the text, Jupiter is the main character of <title level="m">The Golden Age</title> after <ptr type="localCit" target="emdGldA_M.xml#emdGldA_M_a1"/>. He is the son of Saturn
                                and Sibylla, but is raised in Epyre by Melliseus. Jupiter is shown
                                to be a skilled fighter in his conquering of Pelagia, as well as his
                                defeats of Titan, Enceladus, and Saturn. Jupiter is also
                                characterized as a predatory womanizer: he rapes Callisto, marries
                                his sister Juno, seduces Danae, and is said by his brothers to have
                                lain with many more women besides. In <ptr type="localCit" target="emdGldA_M.xml#emdGldA_M_a5_s3"/>, Jupiter is appointed
                                by the Fates to preside over Olympus as the god of the heavens.</p>
                            <p>In classical myth, Jupiter (Greek equivalent: Zeus) is the king of
                                the gods, and the god of the sky, storms, lightning, hospitality,
                                and justice. With his lightning bolts, Jupiter overthrew his father
                                Saturn. Taking all sources into account, Jupiter is the father of
                                over 100 children in classical myth, only three of whom are by his
                                wife Juno.</p>
                            <p>In Renaissance tradition, Jupiter’s status as the chief god of the
                                classical pantheon led him to be heavily associated with the
                                Christian God, and he was therefore associated in allegories of
                                Nature with a higher, purer form of air and light. Because of these
                                two associations, Jupiter was generally regarded as a more orderly
                                god like Apollo or Minerva, who could stand against gods of the
                                passions like Venus (<ref type="bibl" target="#BRUM1">Brumble
                                    192–193</ref>).</p>
                        </note>
                    </person>

                    <person xml:id="emdGldA_M_roleList_Callisto" corresp="emdGldA_M.xml#emdGldA_M_Callisto">
                        <persName>
                            <name>Callisto</name>
                            <reg>Callisto</reg>
                        </persName>
                        <note type="notANote" resp="#STIR3">
                            <p>Callisto is the daughter of Lycaon. When Jupiter falls in love with
                                her beauty, Callisto flees and takes refuge with Diana’s huntresses.
                                Jupiter dresses as a woman to pursue Callisto and forces himself
                                upon her. Exiled from Diana’s circle, Callisto gives birth to
                                Archas, who repeatedly tries to kill her until she leaves him in
                                Jupiter’s care. Callisto then departs the stage and does not
                                return.</p>
                            <p>In classical myth, Callisto was one of Diana’s most loyal huntresses.
                                Jupiter took on Diana’s form to trick and rape Callisto, who became
                                pregnant. When Callisto’s pregnancy was discovered by Diana, she was
                                exiled from Diana’s company, whereupon Callisto was transformed into
                                a bear. Later, when Callisto’s son encountered his mother, he did
                                not recognize her and prepared to kill what he thought was an
                                ordinary bear. To prevent this tragedy, Jupiter turned Callisto into
                                the constellation Ursa Major.</p>
                            <p>Most Renaissance philosophy and interpretations of the story of
                                Callisto viewed her as an allegory for the bestializing effect of
                                lust (as she transformed into a bear upon losing her virginity, even
                                though she was the victim rather than the lustful perpetrator), and
                                as a warning about the importance of taking action to protect one’s
                                (female) virginity (<ref type="bibl" target="#BRUM1">Brumble
                                    62–63</ref>).</p>
                        </note>
                    </person>

                    <person xml:id="emdGldA_M_roleList_Satyr" corresp="emdGldA_M.xml#emdGldA_M_Satyr">
                        
                        <persName>
                            <name>Six Satyrs</name>
                            <reg>Satyr</reg>
                            <reg>Satyrs</reg>
                        </persName>
                        <note type="notANote" resp="#STIR3">
                            <p>The satyrs in <title level="m">The Golden Age</title> are followers
                                of Diana, and join her company in both song and the hunt.</p>
                            <p>In classical myth, satyrs were minor gods of (male) fertility, and
                                were primarily associated with the wine god Bacchus. Satyrs were
                                also frequently responsible for acts of rape.</p>
                        </note>
                    </person>

                    <person xml:id="emdGldA_M_roleList_Nymphs" corresp="emdGldA_M.xml#emdGldA_M_Nymphs">
                        
                        <persName>
                            <name>Nymphs</name>
                            <reg>Nymphs</reg>
                        </persName>
                        <note type="notANote">
                            <p>The nymphs are followers of Diana, and seem to be members of her
                                company. They join the satyrs in song.</p>
                            <p>In classical myth, nymphs were minor goddesses of natural features,
                                such as trees, streams, and mountains. They were frequently pursued
                                by lustful male deities.</p>
                        </note>
                    </person>

                    <person xml:id="emdGldA_M_roleList_Diana" corresp="emdGldA_M.xml#emdGldA_M_Diana">
                        <persName>
                            <name>Diana</name>
                            <reg>Diana</reg>
                        </persName>
                        <note type="notANote" resp="#STIR3">
                            <p>Diana is the goddess of viginity with whom Callisto seeks refuge. She
                                leads a group of young virgin women, all of whom have sworn oaths of
                                chastity. With little effort, Jupiter tricks Diana into believing
                                that he is a woman.</p>
                            <p>In classical myth, Diana (Greek equivalent: Artemis) was the daughter
                                of Jupiter. She was the goddess of hunting, the wilderness, and
                                virginity. Diana was responsible for watching over girls before they
                                were married, and she was accompanied by a number of nymphs and
                                mortal maidens who had sworn to remain virgins forever. Diana was
                                one of three virgin goddesses in classical myth, the other two being
                                Vesta and Minerva.</p>
                        </note>
                    </person>

                    <person xml:id="emdGldA_M_roleList_Atlanta" corresp="emdGldA_M.xml#emdGldA_M_Atlanta">
                        <persName>
                            <name>Atlanta</name>
                            <reg>Atlanta</reg>
                        </persName>
                        <note type="notANote" resp="#STIR3">
                            <p>Atlanta is one of Diana’s huntresses, and appears to be the lead
                                huntress.</p>
                            <p>In classical myth, Atalanta (the classical spelling for Atlanta) was
                                one of the few female heroes. Although she was associated with
                                Diana, she was not actually a member of Diana’s train. Atalanta was
                                raised by a mother bear, slew the Calydonian boar, and joined
                                Jason’s argonauts in the <title level="m">Argonautica</title>.
                                Atalanta eventually married the hero Hippomenes.</p>
                        </note>
                    </person>

                    <person xml:id="emdGldA_M_roleList_Aegeon" corresp="emdGldA_M.xml#emdGldA_M_Aegeon">
                        <persName>
                            <name>Aegeon</name>
                            <reg>Aegeon</reg>
                        </persName>
                        <note type="notANote" resp="#STIR3">
                            <p>Aegeon is one of Titan’s sons, who aids in his invasion of Crete.</p>
                            <p>He does not have a counterpart in classical myth.</p>
                        </note>
                    </person>

                    <person xml:id="emdGldA_M_roleList_Enceladus" corresp="emdGldA_M.xml#emdGldA_M_Enceladus">
                        <persName>
                            <name>Enceladus</name>
                            <reg>Enceladus</reg>
                        </persName>
                        <note type="notANote" resp="#STIR3">
                            <p>The eldest son of Titan, Enceladus aids his father in his invasion of
                                Crete.</p>
                            <p>In classical myth, Enceladus was one of the Gigantes, a group of
                                giants spawned by Terra in an attempt to overthrow the Olympians.
                                Enceladus was killed by Minerva and Hercules.</p>
                        </note>
                    </person>

                    <person xml:id="emdGldA_M_roleList_Juno" corresp="emdGldA_M.xml#emdGldA_M_Juno">
                        <persName>
                            <name>Juno</name>
                            <reg>Juno</reg>
                        </persName>
                        <note type="notANote" resp="#STIR3">
                            <p>Juno is the daughter of Saturn and Sibylla. Saturn thinks she is his
                                only living child. She is also the sister of Jupiter, and marries
                                him. Juno becomes jealous when Jupiter mentions other women.</p>
                            <p>In classical myth, Juno (Greek equivalent: Hera) was the sister and
                                wife of Jupiter, therefore making her queen of the gods. She was the
                                goddess of marriage and adult women. Juno appeared in myth primarily
                                to take revenge on Jupiter’s lovers and children.</p>
                        </note>
                    </person>

                    <person xml:id="emdGldA_M_roleList_Melliseus" corresp="emdGldA_M.xml#emdGldA_M_Melliseus">
                        <persName>
                            <name>Melliseus</name>
                            <reg>Melliseus</reg>
                        </persName>
                        <note type="notANote" resp="#STIR3">
                            <p>Melliseus is the king of Epyre and foster-father of Jupiter.</p>
                            <p>In classical myth, Melliseus was the father of the nymphs who nursed
                                Jupiter as an infant. The name roughly means <gloss>bee
                                man</gloss>.</p>
                        </note>
                    </person>

                    <person xml:id="emdGldA_M_roleList_Arcas" corresp="emdGldA_M.xml#emdGldA_M_Arcas">
                        <persName>
                            <name>Arcas</name>
                            <reg>Arcas</reg>
                        </persName>
                        <note type="notANote" resp="#STIR3">
                            <p>Arcas is the son of Jupiter and Callisto. When Callisto leaves Arcas
                                with Jupiter, Jupiter gives Arcas the kingdom of Pelagia and renames
                                it Arcadia in his honour.</p>
                            <p>In classical myth, Arcas was the son of Jupiter and Callisto. He was
                                born after Callisto was turned into a bear, and raised by the people
                                of Arcadia, where Arcas became the first king. In some versions of
                                the story, Arcas was transformed into the constellation Ursa Minor
                                alongside his mother.</p>
                        </note>
                    </person>

                    <person xml:id="emdGldA_M_roleList_Neptune" corresp="emdGldA_M.xml#emdGldA_M_Neptune">
                        <persName>
                            <name>Neptune</name>
                            <reg>Neptune</reg>
                        </persName>
                        <note type="notANote" resp="#STIR3">
                            <p>Neptune is the son of Saturn and Sybilla. He is the younger brother
                                of Jupiter, and the elder brother of Pluto. Neptune was sent away as
                                an infant by Vesta, Sybilla, and the nurse, and secretly raised in
                                Athens where he became king and taught the people how to sail. Upon
                                learning of his true parentage, Neptune brings his army to Crete to
                                aid Jupiter against Saturn’s invasion. In <ptr type="localCit" target="emdGldA_M.xml#emdGldA_M_a5_s3"/>, the Fates appoint
                                Neptune to be the god of the seas.</p>
                            <p>In classical myth, Neptune (Greek equivalent: Poseidon) was the god
                                of the sea and earthquakes. He was the elder brother of Jupiter;
                                Neptune complains in the <title level="m">Iliad</title> about the
                                fact that his younger brother can tell him what to do. Neptune was
                                also associated with horses, which he is said to have created from
                                sea foam. Neptune and Minerva competed to be the patron god of
                                Athens. Minerva won, and the city was named after her (Minerva’s
                                Greek equvalent is Athena).</p>
                        </note>
                    </person>

                    <person xml:id="emdGldA_M_roleList_Pluto" corresp="emdGldA_M.xml#emdGldA_M_Pluto">
                        <persName>
                            <name>Pluto</name>
                            <reg>Pluto</reg>
                        </persName>
                        <note type="notANote" resp="#STIR3">
                            <p>Pluto is the youngest son of Saturn and Sybilla, and the younger
                                brother of Jupiter and Neptune. Like his brothers, Pluto was sent
                                away from Crete in his infancy by Vesta, Sybilla, and the nurse.
                                Pluto established a kingdom of raiders in lower Tartary and gathered
                                great wealth. Upon learning of his true parentage, Pluto brought his
                                army to Crete to aid Jupiter against Saturn. In <ptr type="localCit" target="emdGldA_M.xml#emdGldA_M_a5_s3"/>, the Fates appoint
                                Pluto to preside over Hell as the god of the dead.</p>
                            <p>In classical myth, Pluto (Greek equivalent: Hades) was the eldest son
                                of Saturn and the elder brother of Neptune and Jupiter. He was the
                                god of the dead and presided as king over the Underworld. While
                                Pluto accepted all deceased mortals into his realm, he was best
                                known for devising eternal punishments for wicked mortals, such as
                                having Sisyphus roll a bolder uphill for all eternity. Pluto was the
                                husband of Proserpine, to whom he generally remained faithful.
                                Because the Underworld was located under the earth, all of the
                                riches that could be found under the earth were considered part of
                                Pluto’s domain; thus he was also a god of wealth.</p>
                        </note>
                    </person>

                    <person xml:id="emdGldA_M_roleList_1Beldam" corresp="emdGldA_M.xml#emdGldA_M_1Beldam">
                       <persName>
                            <name>1 Beldam</name>
                            <reg>1 Beldam</reg>
                        </persName>
                        <note type="notANote" resp="#STIR3">
                            <p>The four beldams were tasked by King Acrisius to guard Danae’s tower
                                against any intruders. Due to the cunning of the clown, the beldams
                                failed in their task.</p>
                        </note>
                    </person>

                    <person xml:id="emdGldA_M_roleList_2Beldam" corresp="emdGldA_M.xml#emdGldA_M_2Beldam">
                        <persName>
                            <name>2 Beldam</name>
                            <reg>2 Beldam</reg>
                        </persName>
                    </person>

                    <person xml:id="emdGldA_M_roleList_3Beldam" corresp="emdGldA_M.xml#emdGldA_M_3Beldam">
                        <persName>
                            <name>3 Beldam</name>
                            <reg>3 Beldam</reg>
                        </persName>
                    </person>

                    <person xml:id="emdGldA_M_roleList_4Beldam" corresp="emdGldA_M.xml#emdGldA_M_4Beldam">
                        <persName>
                            <name>4 Beldam</name>
                            <reg>4 Beldam</reg>
                        </persName>
                    </person>

                    <person xml:id="emdGldA_M_roleList_Acrisius" corresp="emdGldA_M.xml#emdGldA_M_Acrisius">
                        <persName>
                            <name>Acrisius</name>
                            <reg>Acrisius</reg>
                        </persName>
                        <note type="notANote" resp="#STIR3">
                            <p>Acrisius is the king of Argos, and the father of Danae. Having
                                received a prophecy that he will be killed by his grandson, Acrisius
                                constructs a bronze tower in which to imprison Danae, so that she
                                will not encounter any men and therefore will not have any children.
                                After Jupiter sneaks into the tower and impregnates Danae, Acrisius
                                has Danae and her infant son placed on a mastless boat and sent out
                                to sea; he also condemns the beldams to be burned alive.</p>
                            <p>In classical myth, Acrisius was a former king of Argos. He was the
                                father of Danae, and the grandfather of the hero Perseus. When
                                Acrisius received a prophecy from the oracle that he would be killed
                                by his grandson, he locked his daughter away in a tower. When Danae
                                inevitably bore Jupiter’s son despite her imprisonment, Acrisius had
                                both her and the infant locked in a box and thrown into the sea.
                                Many years later, while Acrisus was secretly watching a sporting
                                event in which Perseus was participating, a discus thrown by Perseus
                                veered off course and accidentally hit Acrisius in the head, killing
                                him.</p>
                        </note>
                    </person>

                    <person xml:id="emdGldA_M_roleList_Danae" corresp="emdGldA_M.xml#emdGldA_M_Danae">
                        <persName>
                            <name>Danae</name>
                            <reg>Danae</reg>
                        </persName>
                        <note type="notANote" resp="#STIR3">
                            <p>Danae is the daughter of Acrisius. She is locked in a tower by her
                                father in order to thwart a prophecy. Entranced by stories of
                                Danae’s beauty, Jupiter sneaks into her tower to woo her. Danae
                                resists Jupiter’s advances at first, but eventually falls for him,
                                and expresses sadness when Jupiter leaves the next morning. When
                                Acrisius discovers that Danae has had a child, he puts her and her
                                son on a mastless boat, which eventually winds up on the shores of
                                Naples. The king of Naples then makes Danae his queen.</p>
                            <p>In classical myth, Danae was the mother of Perseus by Jupiter. She
                                was locked in a tower by her father so that she would not bear him
                                the grandson who was fated to kill him. Upon witnessing Danae’s
                                beauty, Jupiter entered her tower in the form of a shower of gold,
                                and made her pregnant. Upon discovering that Danae had given birth,
                                her father locked both Danae and her son in a box, and had them
                                thrown into the sea. Fortunately, the box floated. Danae and Perseus
                                eventually washed up on the shores of the island of Seriphos, where
                                they were rescued by a fisherman. Perseus embarked on his quest to
                                slay Medusa so that Danae would not have to marry the king of
                                Seriphos.</p>
                            <p>Because Jupiter entered Danae’s tower as a shower of gold, several
                                Renaissance writers interpret Danae as an allegory for the
                                corruptive power of wealth over women’s chastity. Other writers,
                                however, compared Jupiter to the Holy Spirit, and thus compared
                                Danae to the Virgin Mary (<ref type="bibl" target="#BRUM1">Brumble 93–94</ref>).</p>
                        </note>
                    </person>

                    <person xml:id="emdGldA_M_roleList_Tros" corresp="emdGldA_M.xml#emdGldA_M_Tros">
                        <persName>
                            <name>Tros</name>
                            <reg>Tros</reg>
                        </persName>
                        <note type="notANote" resp="#STIR3">
                            <p>Tros is the founder and king of Troy. After Saturn has been dethroned
                                and chased from Crete, he flees to Troy and shows King Tros his
                                inventions. Impressed, Tros agrees to lend Saturn the aid of his
                                army in retaking Crete, but their invasion is unsuccessful.</p>
                            <p>In classical myth, Tros was the mythological founder-king of
                                Troy.</p>
                        </note>
                    </person>

                    <person xml:id="emdGldA_M_roleList_Ganymede" corresp="emdGldA_M.xml#emdGldA_M_Ganymede">
                        <persName>
                            <name>Ganymede</name>
                            <reg>Ganymede</reg>
                        </persName>
                        <note type="notANote" resp="#STIR3">
                            <p>Ganymede is the son of King Tros and therefore a prince of Troy. He
                                accompanies his father in the attempt to help Saturn reclaim the
                                throne of Crete. While the invasion is unsuccessful, Ganymede
                                continues to fight even though the army is retreating. Ganymede
                                challenges Jupiter to a duel and loses; impressed by each other’s
                                valour, the two instead embrace in friendship. In <ptr type="localCit" target="emdGldA_M.xml#emdGldA_M_a5_s3"/>,
                                Ganymede follows Jupiter to Olympus on the back of a giant
                                eagle.</p>
                            <p>In classical myth, Ganymede was a mortal prince of Troy. One day,
                                while Ganymede was attending to a flock of sheep, Jupiter looked
                                down from Olympus and was struck by the young man’s beauty. Jupiter
                                took the form of an eagle and carried Ganymede off to Olympus, where
                                he made Ganymede immortal. Ganymede then became Jupiter’s
                                cup-bearer.</p>
                        </note>
                    </person>

                    <person xml:id="emdGldA_M_roleList_ArgosL" corresp="emdGldA_M.xml#emdGldA_M_ArgosL">
                        <persName>
                            <name>Argos Lord</name>
                            <reg>Argos Lord</reg>
                         </persName>
                        <note type="notANote">
                            <p>A lord of Argos who informs Jupiter and company of Danae’s fate.</p>
                        </note>
                    </person>

                    <person xml:id="emdGldA_M_roleList_Fates" corresp="emdGldA_M.xml#emdGldA_M_Fates">
                       <persName>
                            <name>Fates</name>
                            <reg>Fates</reg>
                        </persName>
                        <note type="notANote" resp="#STIR3">
                            <p>The Fates appear in the <ref target="emdGldA_M.xml#emdGldA_M_anc_139">dumbshow</ref> at the end of <ptr type="localCit" target="emdGldA_M.xml#emdGldA_M_a5"/> to appoint Jupiter,
                                Neptune, and Pluto their godly domains, and present them with their
                                regalia.</p>
                            <p>In classical myth, the Fates were three immortal sisters who presided
                                over the destinies of all mortals. Their main function was to decide
                                when a mortal would die, which was symbolized when they cut a thread
                                that represented the mortal’s lifespan. In the <title level="m">Theogony</title>, the Fates are said to be the daughters of
                                Nyx, the personification of night. However, later sources call them
                                the daughters of Jupiter.</p>
                        </note>
                    </person>

                    <person xml:id="emdGldA_M_roleList_Aeolus" corresp="emdGldA_M.xml#emdGldA_M_Aeolus">
                        <persName>
                            <name>Aeolus</name>
                            <reg>Aeolus</reg>
                        </persName>
                        <note type="notANote" resp="#STIR3">
                            <p>Aeouls appears in the <ref target="emdGldA_M.xml#emdGldA_M_anc_139">dumbshow</ref>
                                at the end of <ptr type="localCit" target="emdGldA_M.xml#emdGldA_M_a5"/>, where the Fates present
                                him with the winds, over which he will preside.</p>
                            <p>In classical myth, Aeolus was a mortal king of the floating island of
                                Aeolia, where he controlled the winds. In the <title level="m">Odyssey</title>, Aeolus presents Odysseus with a bag that
                                contains all the storm winds, so that no storm will prevent Odysseus
                                from making it home. However, when Odysseus’s men open the bag and
                                the ship is blown back to Aeolia, Aeolus considers this accident to
                                be an omen from the gods and refuses to help Odysseus a second
                                time.</p>
                        </note>
                    </person>
                    
                    <person xml:id="emdGldA_M_roleList_Winds" corresp="emdGldA_M.xml#emdGldA_M_Winds">
                        <persName><name>The Four Winds</name></persName>
                      </person>

                    <person xml:id="emdGldA_M_roleList_Hyperion" corresp="emdGldA_M.xml#emdGldA_M_Hyperion">
                        <persName>
                            <name>Hyperion</name>
                        </persName>
                        <note type="notANote" resp="#STIR3">
                            <p>A non-speaking character. Enceladus addresses Hyperion in <ptr type="localCit" target="emdGldA_M.xml#emdGldA_M_a3_s6"/>.</p>
                            <p>In classical myth, Hyperion was one of the twelve Titans. He was the
                                son of Uranus and Terra, and the brother of Saturn.</p>
                        </note>
                    </person>
                </listPerson></div>
         </div>
      </body>
   </text>
</TEI>
