Mucedorus Q3: Collation Mucd Q3: Collation Collator Sofia Spiteri Supervising Editor Janelle Jenstad Copyright Holder (Content) Sofia Spiteri Copyright Holder (XML and interface) University of Victoria Code Review LEMDO Team Social Sciences and Humanities Research Council of Canada Valerie Kuehne Undergraduate Research Awards, University of Victoria

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 Mucedorus Q1 (1598) Mucedorus Q2 (1606) Mucedorus Q3 (1610) Mucedorus Q4 (1611) Mucedorus Q5 (1613) Mucedorus Q6 (1615) Mucedorus Q7 (1618) Mucedorus Q8 (1619) Mucedorus Q9 (1621) Mucedorus Q10 (1626) Mucedorus Q11 Mucedorus Q12 (1631) Mucedorus Q13 (1634) Mucedorus Q14 (1639) Mucedorus Q15 Mucedorus Q16 (1663) Mucedorus Q17 (1668) This edition, edited by Sofia Spiteri.

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 Fixing everything Licensed for Classroom anthology. Checked metadata. Added edition statement. Changed status to draft. Began creating collations. Created file. England—nay, the world—admires, England; nay, the World admires: both as one bench both at one bench, throne place Exit. Exit Prologue. joyfully, ioyfull Why so? Why so; Who so; Why so, Why so: Why so Why so! Why, so! Why, so; come coms gentles; gentiles Gentles, silver-tunèd siluer tuned silver tun’d silver-tuned silver tunèd What, all on mirth? What al on mirth; What, all on mirth, What all on mirth? What, al on mirth! stifle stiffe still deeds name Danish danes dankish (emended from Collier) Sound drums within and cry, Stab! Stab! Sound drumes within and crie stab stab. A sound of Drums within, and cries of Stab, stab. Drums within and a cry, ’Stab, stab!’ Sound drums within, and cry, Stab, stab! Sound Drums within, and cry stab, stab. the gods Gods the cries of many thousands the cries of many thousand the cry of many thousand This sport alone for me? thi’s sport alone for me. ’tis sport alone for me. ’t is sport alone for me! This port alone for me! this sport alone for me! seek to quail quaile Delighting in mirth, Delights in mirth, Thou bloody, envious disdainer Thou bloodie, Enuious, disdainer Thou bloodie, enuious; disdayner Thou bloody envious disdainer Thou bloody, envious ’sdainer Thou, bloodie, Enuious, disdainer Thou, bloody, envious disdainer joys, ioye, I humbly crave thee hence, I humbly crave thee, hence! I humbly crave thee; hence, ’mongst amongst human humaine humane forbearance forbeare This will I do! This will I doe, This will I do; This will I doe? This will I doe: Thus will I doe: brave praue prove trade tread two monsters, to monsters, Exeunt. Exit. Exit with Comedy. Exit Comedy and Envy. Anselmo! Anselmo. Anselmo? True my Anselmo, both thy Lord and friend, Q5 removes the first line of this speech (including the speech prefix for Mucedorus) and attributes the rest to Anselmo. Anselmo’s subsequent speech prefix from Q3 is retained, however, suggesting that the modification was likely done in error. The following quartos retain the adjustment from Q5. By Q7, the final two lines of Mucedorus’ speech have been incorporated into one longer speech for Anselmo. Anselmo Q7 collapses Mucedorus’ previous speech into a longer speech for Anselmo. It also removes Anselmo’s speech prefix here. ne’er near But, my Anselmo… say, / I must… friendship. But, my Anselmo… friendship. In the quartos, these lines are set as one long prose line. Hazlitt is the first editor to properly lineate them as verse. mountebank? Mountebancke. mountebank! Enter Anselmo with a shepherd’s coat. Re-enter Anselmo with a Shepherd’s coat. Re-enter Anselmo with a shepherd’s coat, which he gives to Mucedorus. Anselmo returns with the disguise. Exit. Exit Mucedorus. wish’s wishes wishes’ on her, on him, to him to her Away I say, Away, I say Reason, some reason, soon your spare save it he any any, A Ah neuer, is my never it is Amadine. Amadine? so. no. no. so. we heere a Shepheard standes, a second here, sees saies Thou sot, Then (Sot) deare Oh impudent; a Shepheard, and so insolent? Oh impudent, a shepheard and so insolent. Oh impudent! A Shepherd and so insolent. we he pastimes, you pastimes you combining combined heart head Fiend, friend, your our desertfull deceitful Yon splendant Maiestie hath feld my sting, sir? sirrah? sir, sirrah; sir, to sirrah, cald? call’d; so of Why What’s that same King, What is that King, doubts; doubts, doubts: thinke have Sire; Sir, Golden treasures: golden tresuries, gold and treasures: and if sight-fort; sight for’t, Least Lest praue braue prove lieue live you? you. A Shepheard (Lady) A Shepherd, Ladie! desgusseth disguiseth discloseth Let the musicke cease Musick ceaseth In Q16, this stage direction is placed to the right with a curly bracket next to it. The word Musick appears next to the final line of the King’s speech, while ceaseth appears next to the first line of Roderigo’s speech. Muc. In Q16, this speech is attributed to Anselmo as a continuation of his previous speech. True my Anselmo, both thy Lord and friend Ans. Because Q16 attributes the previous lines of speech to Anselmo as well, his speaker tag on this line is omitted.