Mucedorus: Publications
¶ Introduction
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quotationsin the quote element and providing parenthetical citations that point to entries in BIBL1
¶ Publications
Quarto | Year | Printer | Publisher | Greg | STC | ESTC | DEEP |
Q1 | 1598 | Gabriel Simson1 | William Jones | 151 (a) | 18230 | S106305 | 258 |
Q2 | 1606 | William Jones | 151 (b) | 18231 | S94249 | 259 | |
Q3 | 1610 | William Jones | 151 (c) | 18232 | S106375 | 260 | |
Q4 | 1611 | William Jones | 151 (d) | 18233 | S106307 | 261 | |
Q5 | 1613 | George Eld2 | William Jones | 151 (e) | 18234 | S457 | 262 |
Q6 | 1615 | Nicholas Okes | William Jones | 151 (f) | 18235 | S106373 | 263 |
Qη3 | 1615-1618 | William Jones or John Wright4 | 151 (f)i | 18235.5 | 264 | ||
Q7 | 1618 | George Eld5 | John Wright | 151 (g) | 18236 | S106372 | 265 |
Q8 | 1619 | George Eld6 | John Wright | 151 (h) | 18237 | S106369 | 266 |
Q9 | 1621 | George Eld | John Wright | 151 (i) | 18237.5 | 267 | |
Q10 | 1626 | Printer | John Wright | 151 (j) | 18238 | S106367 | 268 |
Q11 | 16297 | Printer | John Wright | 151 (k) | 18238.5 | S124579 | 269 |
Q12 | 1631 | Printer | John Wright | 151 (l) | 18239 | S105986 | 270 |
Q13 | 1634 | Printer | John Wright | 151 (m) | 18240 | S112746 | 271 |
Q14 | 1639 | Printer | John Wright | 151 (n) | 18241 | S917 | 272 |
Q15 | Year | Printer | Francis Coles | 151 (o) | R11499 | 273 | |
Q16 | 1663 | Printer | Francis Coles | 151 (p) | R43218 | ||
Q17 | 1668 | Edward Okes | Francis Coles | 151 (q) | R13427 |
Notes
1.Katherine Pantzer identified Gabriel Simson as the printer of Mucedorus Q1 in the third volume of Pollard and Redgraveʼs Short-Title Catalogue of English Books.↑
2.The printerʼs ornaments used in Mucedorus Q5 can be found in Eldʼs other publications. See Essaies, A Wife, and The VVindie Yeare. Eld was also in possession of a broken dropcap, which can be identified in Mucedorus Q5, Q7, and Q8.↑
3.Richard Proudfoot identified this quarto after discovering five of its leaves inserted
into a copy of Greg 151 (o) held at the Folger Shakespeare Library.↑
4.Following the death of William Jones in 1618, the right to reprint Mucedorus passed to John Wright. Although possible, it is highly unlikely that Wright published
Qη in 1618 given that he published his own unique copy of Mucedorus in that same year.↑
5.The printerʼs ornaments used in Mucedorus Q7 can be found in Eldʼs other publications. See A briefe remembrance of all the English monarchs and Pleasures vision. Eld was also in possession of a broken dropcap which can be identified in Mucedorus Q5, Q7, and Q8.↑
6.The printerʼs ornaments used in Mucedorus Q7 can be found in Eldʼs other publications. See A briefe remembrance of all the English monarchs and Pleasures vision. Eld was also in possession of a broken dropcap, which can be identified in Mucedorus Q5, Q7, and Q8.↑
Prosopography
Janelle Jenstad
Janelle Jenstad is a Professor of English at the University of
Victoria, Director of The Map
of Early Modern London, and Director of Linked Early Modern Drama
Online. With Jennifer Roberts-Smith and Mark Kaethler, she
co-edited Shakespeare’s Language in Digital Media: Old
Words, New Tools (Routledge). She has edited John Stow’s
A Survey of London (1598 text) for MoEML
and is currently editing The Merchant of Venice
(with Stephen Wittek) and Heywood’s 2 If You Know Not
Me You Know Nobody for DRE. Her articles have appeared in
Digital Humanities Quarterly, Elizabethan Theatre, Early Modern
Literary Studies, Shakespeare
Bulletin, Renaissance and
Reformation, and The Journal of Medieval
and Early Modern Studies. She contributed chapters to Approaches to Teaching Othello (MLA); Teaching Early Modern Literature from the Archives
(MLA); Institutional Culture in Early Modern
England (Brill); Shakespeare, Language, and
the Stage (Arden); Performing Maternity in
Early Modern England (Ashgate); New
Directions in the Geohumanities (Routledge); Early Modern Studies and the Digital Turn (Iter);
Placing Names: Enriching and Integrating
Gazetteers (Indiana); Making Things and
Drawing Boundaries (Minnesota); Rethinking
Shakespeare Source Study: Audiences, Authors, and Digital
Technologies (Routledge); and Civic
Performance: Pageantry and Entertainments in Early Modern
London (Routledge). For more details, see janellejenstad.com.
Sofia Spiteri
Sofia Spiteri is currently completing her Bachelor of Arts in History at the University
of Victoria. During the summer of 2023, she had the opportunity to work with LEMDO
as a recipient of the Valerie Kuehne Undergraduate Research Award (VKURA). Her work
with LEMDO primarily includes semi-diplomatic transcriptions for The Winterʼs Tale and Mucedorus.
Bibliography
Greg, W.W.
On the Editions of Mucedorus.Jahrbuch der Deutschen Shakespeare-Gesellschaft 40 (1904): 95-107.
Greg, W.W., ed. A Bibliography of the English Printed
Drama to the Restoration. 5 vols.
London:
Bibliographical Society,
1939–1959; rpt.
1962.
Pantzer, Katharine F. Pantzer.
Addenda and Corrigenda.A Short-Title Catalogue of Books Printed in England, Scotland, & Ireland and of English Books Printed Abroad 1475-1640. By Katharine F. Pantzer and Philip R. Rider. London: Bibliographical Society, 1991. 261–318.
Proudfoot, Richard.
Modernizingthe Printed Play-Text in Jacobean London: Some Early Reprints of Mucedorus.
A Certain Text: Close Readings and Textual Studies on Shakespeare and Others in Honor of Thomas Clayton. Ed. Linda Anderson and Janis Lull. Newark: University of Delaware Press; London, UK: Associated University Press, 2003. 18–28. WSB aah268.
Orgography
Digital Renaissance Editions (DRE1)
Anthology Leads and Co-Coordinating Editors: Brett Greatley-Hirsch, Janelle Jenstad,
James Mardock, and Sarah Neville.
LEMDO Team (LEMD1)
The LEMDO Team is based at the University of Victoria and normally comprises the project
director, the lead developer, project manager, junior developers(s), remediators,
encoders, and remediating editors.
University of Victoria (UVIC1)
https://www.uvic.ca/Metadata
Authority title | Mucedorus: Publications |
Type of text | Critical |
Short title | Mucd: Publications |
Publisher | University of Victoria on the Linked Early Modern Drama Online Platform |
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