Mucedorus: Copies and Digital Surrogates

Introduction

Para1Write something about Play Title, wrapping quotations in the quote element and providing parenthetical citations that point to entries in BIBL1

Quarto 1

Library Shelfmark Digital Surrogates
British Library1 C.34.b.34.
Henry E. Huntington Library 62706

Quarto 2

Library Shelfmark Digital Surrogates
Victoria and Albert Museum Dyce 26 Box 35/4 EEBO

Quarto 3

Library Shelfmark Digital Surrogates
British Library 643.c.31. British Library Online
Cambridge Trinity College, Wren Library Capell S.30[3]
Henry E. Huntington Library 62676

Quarto 4

Library Shelfmark Digital Surrogates
Oxford University, Bodleian Library Douce G 252
Henry E. Huntington Library 62687

Quarto 5

Library Shelfmark Digital Surrogates
British Library G.11213. EEBO
Boston Public Library G.176.48 Internet Archive
Folger Shakespeare Library STC 18234

Quarto 6

Library Shelfmark Digital Surrogates
British Library 643.c.32. British Library Online
Henry E. Huntington Library 62686

Quarto η

Library Shelfmark Digital Surrogates
Folger Shakespeare Library G1829

Quarto 7

Library Shelfmark Digital Surrogates
Henry E. Huntington Library 62685

Quarto 8

Library Shelfmark Digital Surrogates
British Library 11773.c.7. British Library Online
Oxford University, Bodleian Library Mal. 233 (9)
Harvard University, Houghton Library GEN STC 18237
Boston Public Library G.176.49 Internet Archive
Henry E. Huntington Library 62677

Quarto 9

Library Shelfmark Digital Surrogates
Gdańsk Library Di 3313 8° adl. 6.

Quarto 10

Library Shelfmark Digital Surrogates
Victoria and Albert Museum Dyce 26 Box 35/5 EEBO
Henry E. Huntington Library 62678 HathiTrust
Folger Shakespeare Libary STC 18238

Quarto 11

Library Shelfmark Digital Surrogates
Cambridge Trinity College, Wren Library Capell R.23[8] EEBO

Quarto 12

Library Shelfmark Digital Surrogates
British Library 11773.b.11.
Oxford University, New College Library BT1.134.19(13)

Quarto 13

Library Shelfmark Digital Surrogates
British Library 1346.b.21.
National Trust2

Quarto 14

Library Shelfmark Digital Surrogates
Cambridge Trinity College, Wren Library Capell T.7[4] EEBO
Yale University, Beinecke Library Ig M880 598c
Boston Public Library G.176.50 Internet Archive
Pierpoint Morgan Library W 07 C

Quarto 15

Library Shelfmark Digital Surrogates
British Library 643.c.30. British Library Online
Cambridge Trinity College, Wren Library Capell T.8[6]
National Library of Scotland Bute.530
Henry E. Huntington Libary 91555 EEBO
Folger Shakespeare Library 178-867q

Quarto 16

Library Shelfmark Digital Surrogates
Oxford University, Bodleian Library Mal. 216 (3) EEBO
Boston Public Library G.176.51 Internet Archive

Quarto 17

Library Shelfmark Digital Surrogates
British Library 161.a.60.
Oxford University, Bodleian Library Mal. 195 (1)
Cambridge Trinity College, Wren Library Capell T.9[5]
Yale University, Beinecke Library Ig M880 598d
Boston Public Library G.176.52 Internet Archive
New York Public Library *KC 1668
Henry E. Huntington Library 12596 EEBO
Folger Shakespeare Library G1831

Notes

1.Although the original copy of Mucedorus Q1 located at the British Library has not yet been digitized, a reproduction by The Tudor Facsimile Texts can be accessed here.↑
2.This copy is currently held by the National Trust at Petworth House and Park. Its information page can be accessed here.↑

Prosopography

Janelle Jenstad

Janelle Jenstad is a Professor of English at the University of Victoria, Director of The Map of Early Modern London, and Director of Linked Early Modern Drama Online. With Jennifer Roberts-Smith and Mark Kaethler, she co-edited Shakespeare’s Language in Digital Media: Old Words, New Tools (Routledge). She has edited John Stow’s A Survey of London (1598 text) for MoEML and is currently editing The Merchant of Venice (with Stephen Wittek) and Heywood’s 2 If You Know Not Me You Know Nobody for DRE. Her articles have appeared in Digital Humanities Quarterly, Elizabethan Theatre, Early Modern Literary Studies, Shakespeare Bulletin, Renaissance and Reformation, and The Journal of Medieval and Early Modern Studies. She contributed chapters to Approaches to Teaching Othello (MLA); Teaching Early Modern Literature from the Archives (MLA); Institutional Culture in Early Modern England (Brill); Shakespeare, Language, and the Stage (Arden); Performing Maternity in Early Modern England (Ashgate); New Directions in the Geohumanities (Routledge); Early Modern Studies and the Digital Turn (Iter); Placing Names: Enriching and Integrating Gazetteers (Indiana); Making Things and Drawing Boundaries (Minnesota); Rethinking Shakespeare Source Study: Audiences, Authors, and Digital Technologies (Routledge); and Civic Performance: Pageantry and Entertainments in Early Modern London (Routledge). For more details, see janellejenstad.com.

Sofia Spiteri

Sofia Spiteri is currently completing her Bachelor of Arts in History at the University of Victoria. During the summer of 2023, she had the opportunity to work with LEMDO as a recipient of the Valerie Kuehne Undergraduate Research Award (VKURA). Her work with LEMDO primarily includes semi-diplomatic transcriptions for The Winterʼs Tale and Mucedorus.

Orgography

Digital Renaissance Editions (DRE1)

Anthology Leads and Co-Coordinating Editors: Brett Greatley-Hirsch, Janelle Jenstad, James Mardock, and Sarah Neville.

LEMDO Team (LEMD1)

The LEMDO Team is based at the University of Victoria and normally comprises the project director, the lead developer, project manager, junior developers(s), remediators, encoders, and remediating editors.

University of Victoria (UVIC1)

https://www.uvic.ca/

Metadata

Authority title Mucedorus: Copies and Digital Surrogates
Type of text Critical
Short title Mucd: Copies
Publisher University of Victoria on the Linked Early Modern Drama Online Platform
Series
Source
Sofia Spiteri retrieved and compiled all information contained within this file.
Editorial declaration
Edition
Encoding description Encoded in TEI P5 according to the LEMDO Customization and Encoding Guidelines.
Document status TEI_INP
Licence/availability