Mucedorus: Quarto 3 Annotations
Exit.
In Q16, this stage direction is placed on the following line, after Amadine has finished
speaking.
desires
Pronounced with three syllables.
halfe an houre.
Despite its omittance from Q16, this line is significant because it references a joke
from earlier in the play. After learning that Mucedorus has been pardoned from his
hanging (which Mouse was to execute), Mouse urges to Segasto to agree to be hanged
in Mucedorusʼ place. As part of his attempt to persuade Segasto, Mouse claims that
the hanging is
but half an hourʼs exercise.
Prosopography
Janelle Jenstad
Janelle Jenstad is a Professor of English at the University of
Victoria, Director of The Map
of Early Modern London, and Director of Linked Early Modern Drama
Online. With Jennifer Roberts-Smith and Mark Kaethler, she
co-edited Shakespeare’s Language in Digital Media: Old
Words, New Tools (Routledge). She has edited John Stow’s
A Survey of London (1598 text) for MoEML
and is currently editing The Merchant of Venice
(with Stephen Wittek) and Heywood’s 2 If You Know Not
Me You Know Nobody for DRE. Her articles have appeared in
Digital Humanities Quarterly, Elizabethan Theatre, Early Modern
Literary Studies, Shakespeare
Bulletin, Renaissance and
Reformation, and The Journal of Medieval
and Early Modern Studies. She contributed chapters to Approaches to Teaching Othello (MLA); Teaching Early Modern Literature from the Archives
(MLA); Institutional Culture in Early Modern
England (Brill); Shakespeare, Language, and
the Stage (Arden); Performing Maternity in
Early Modern England (Ashgate); New
Directions in the Geohumanities (Routledge); Early Modern Studies and the Digital Turn (Iter);
Placing Names: Enriching and Integrating
Gazetteers (Indiana); Making Things and
Drawing Boundaries (Minnesota); Rethinking
Shakespeare Source Study: Audiences, Authors, and Digital
Technologies (Routledge); and Civic
Performance: Pageantry and Entertainments in Early Modern
London (Routledge). For more details, see janellejenstad.com.
Sofia Spiteri
Sofia Spiteri is currently completing her Bachelor of Arts in History at the University
of Victoria. During the summer of 2023, she had the opportunity to work with LEMDO
as a recipient of the Valerie Kuehne Undergraduate Research Award (VKURA). Her work
with LEMDO primarily includes semi-diplomatic transcriptions for The Winterʼs Tale and Mucedorus.
Orgography
Digital Renaissance Editions (DRE1)
Anthology Leads and Co-Coordinating Editors: Brett Greatley-Hirsch, Janelle Jenstad,
James Mardock, and Sarah Neville.
LEMDO Team (LEMD1)
The LEMDO Team is based at the University of Victoria and normally comprises the project
director, the lead developer, project manager, junior developers(s), remediators,
encoders, and remediating editors.
University of Victoria (UVIC1)
https://www.uvic.ca/Metadata
Authority title | Mucedorus: Quarto 3 Annotations |
Type of text | Annotation |
Short title | Mucd: Q3 Annotations |
Publisher | Published by the University of Victoria on the LEMDO Platform |
Series | |
Source |
Annotations prepared by Sofia Spiteri for the semi-diplomatic transcription of Mucedorus
Quarto 3 (1610).
|
Editorial declaration | Optional statement about your editorial approach to annotation. |
Edition | |
Encoding description | Encoded in TEI P5 according to the LEMDO Customization and Encoding Guidelines. |
Document status | TEI_INP |
Licence/availability | Intellectual copyright in this file is held by the editor. The critical paratexts, including the annotations, are licensed for reuse under a CC BY-NC-SA 4.0 license, which means that they are freely downloadable without permission under the following conditions: (1) credit must be given to the editors, DRE, and LEMDO in any subsequent use of the files and/or data; (2) derivatives (e.g., adapted scripts for performance) must be shared under the same CC BY-NC-SA 4.0 license; and (3) commercial uses are not permitted without the knowledge and consent of the editors, DRE, and LEMDO. This license allows for pedagogical use of the critical paratexts in the classroom. |