Peter Cockett is an associate professor in the Theatre and Film Studies at McMaster University. He is the general editor (performance), and technical co-ordinating editor of . He was the stage director for the Shakespeare and the Queen’s Men project (SQM), directing , , and (2006) and he is the performance editor for our editions of those plays. The process behind those productions is documented in depth on his website . Also featured on this site are his PAR productions of (2009) and (2014). For the PLS, the University of Toronto’s Medieval and Renaissance Players, he has directed the Digby (2003) and the double bill of George Peele’s and the Chester (2004). He also directed (2005) for the SQM project and (2008) in collaboration with Alan Dessen. Peter is a professional actor and director with numerous stage and screen credits. He can be contacted at cockett@mcmaster.ca.

Jessica Dell (, Q1 1584) defended her doctoral dissertation, in September 2014 at McMaster University. In 2016, she became a full-time instructor at Aurora College (NWT) in the Bachelor of Education program which partners with the University of Saskatchewan and the Indian Teacher Education Program (ITEP). Recent publications include in (2014) and, with David Klausner and Helen Ostovich, co-edited (2012). She can be contacted at Jdell@auroracollege.nt.ca.

Navid Jalali (He/Him) is a game enthusiast, literary translator, and prospective PhD student of English at McMaster University, Hamilton, Ontario. During his MA at Mac, he researched the role of literary fiction in making as well as addressing problems of the Anthropocene. Having his fascination with Shakespeare’s playtexts reignited through the chance to teach several tutorials on Shakespearean drama as an MA student, his doctoral thesis seeks to reshape the landscape of teaching plays from Shakespeare’s era by harnessing the potential of digital humanities to infuse aesthetics and creativity into the educational process. More information about Navid’s work can be found on his LinkedIn page.

Janelle Jenstad is a Professor of English at the University of Victoria, Director of The Map of Early Modern London, and Director of Linked Early Modern Drama Online. With Jennifer Roberts-Smith and Mark Beatrice Kaethler, she co-edited (Routledge). She has edited John Stow’s (1598 text) for MoEML and is currently editing (with Stephen Wittek) and Heywood’s for DRE. Her articles have appeared in , , , , , and . She contributed chapters to (MLA); (MLA); (Brill); (Arden); (Ashgate); (Routledge); (Iter); (Indiana); (Minnesota); (Routledge); and (Routledge). For more details, see janellejenstad.com.

Erin Julian (, performance) completed her SSHRC-funded dissertation () in English and Cultural Studies in 2014 at McMaster. She currently holds a SSHRC Postdoctoral Fellowship at Western University (). Her recent publications include for 17.1 (2014) and (co-authored with Helen Ostovich) in Julian and Ostovich (eds), (Bloomsbury, 2013). She is also co-editor of for the Complete Works of John Marston (OUP, forthcoming) and editor of the website associated with the performance of the play in March 2019. Her essay on performance, : What’s Funny about The Dutch Courtesan? appears in 23.1 (2000), the special issue on Marston’s play. She can be contacted at ejulian@uwo.ca.

Project Manager, 2020–2021. Assistant Project Manager, 2019–2020. Textual Remediator and Encoder, 2019–2021. Kate LeBere completed her BA (Hons.) in History and English at the University of Victoria in 2020. During her degree she published papers in (2018), (2019), and (2020) and presented at the English Undergraduate Conference (2019), Qualicum History Conference (2020), and the Digital Humanities Summer Institute’s Project Management in the Humanities Conference (2021). While her primary research focus was sixteenth and seventeenth century England, she completed her honours thesis on Soviet ballet during the Russian Cultural Revolution. She is currently a student at the University of British Columbia’s iSchool, working on her masters in library and information science.

Helen Ostovich, professor emerita of English at McMaster University, is the founder and general editor of . She is a general editor of The Revels Plays (Manchester University Press); Series Editor of Studies in Performance and Early Modern Drama (Ashgate, now Routledge), and series co-editor of Late Tudor and Stuart Drama (MIP); play-editor of several works by Ben Jonson, in (1997); (Revels 2001); and (Cambridge 2012). She has also edited the Norton Shakespeare 3 Q1602 and F1623 (2015); and for , revised for a 4-volume set from OUP 2021; , for the Oxford Complete Works of James Shirley (2021); for Internet Shakespeare Editions, and (with Erin Julian) for the Complete Works of John Marston, OUP 2022. She has published many articles and book chapters on Jonson, Shakespeare, and others, and several book collections, most recently with Lisa Hopkins (2014), and the equivalent to book website, The Three Ladies of London containing scripts, glossary, almost fifty conference papers edited and updated to essays; video; link to and YouTube: http://threeladiesoflondon.mcmaster.ca/contexts/index.htm, 2015. Recently, she was guest editor of Strangers and Aliens in London ca 1605, Special Issue on Marston, 23.1 (June 2020). She can be contacted at ostovich@mcmaster.ca.

Chantelle Thauvette (1592 Q2 text) completed her PhD in English and Cultural Studies, 2013, at McMaster, with a Doctoral Diploma in Gender Studies and Feminist Research. She has published a book chapter in (Turnhout: Brepols, 2014), and articles in , , , and has presented papers at interdisciplinary early modern conferences including the Renaissance Society of America, the Canadian Society for Renaissance Studies, Shakespeare Association of America, and the Society for the Study of Early Modern Women. She can be contacted at cthauvette@siena.edu.

Actor with the Queen’s Men. See Robert Wilson (d. 1600).